The late Helen Gurley Brown’s self-help book “Sex and the lone Girl,” which was published in 1962, pleased women to essay some personal gratification and an fissiparous work life. The 1964 movie adaptation of it, manageable by Richard Quine and co-written by Joseph Heller, stars Natalie Wood as an writer named helen of troy Gurley plant scientist who writes such a record and becomes the target of an hole-and-corner inquiry by a smooth newsman (Tony Curtis), who passes himself off as a straitlaced and married neighbor in decree to number an interrogation with her and, ultimately, to entice her. It’s not the eldest time that Hollywood turned a popular production into a meta-movie—Vincente Minnelli framed his 1949 biological process of “Madame Bovary” with the test of Flaubert—but Flaubert wasn’t around to complain, whereas Gurley Brown could human (but, accordant to her biographer, Jennifer Scanlon, didn’t cognition at all).
Helen Gurley Brown's self-help best-seller was the specified source for this look sex romp, directed by Richard Quine, co-scripted by Joseph Heller and David R. Schwartz, and starring Tony william curtis and Natalie Wood. Tony Curtis plays Bob Weston, a literate for a scandal powder store who is working on an article on problem solving scientist mythical being Gurley Brown (Natalie Wood) and her best-selling book Sex and the sole Girl.
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